{"id":7148,"date":"2026-06-12T10:01:37","date_gmt":"2026-06-12T01:01:37","guid":{"rendered":"https:\/\/en.ai-creators.tech\/media\/?p=7148"},"modified":"2026-06-12T19:40:06","modified_gmt":"2026-06-12T10:40:06","slug":"victor-moreno","status":"publish","type":"post","link":"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/","title":{"rendered":"International AI Creator Dialogue: Victor Moreno \u00d7 aratama \u749e \u2014 AI-Native Expression and the Future of Production"},"content":{"rendered":"<p>\nGenerative AI is rapidly lowering the barriers to entry in filmmaking.<br \/>\nVisual work that once required substantial budgets, camera equipment, and specialized production teams can now be explored by individual creators within a much shorter timeframe.\n<\/p>\n<p>\nYet being able to generate eye-catching footage is not the same as creating work that stays with an audience.<br \/>\nThe more capable the models become, the more the questions circle back to the fundamentals.<br \/>\nWhat are we making? Why are we making it? How do we edit it, layer sound into it, and shape it into a coherent experience?\n<\/p>\n<p>\nAnd precisely because AI creators can now move across so many disciplines on their own, the question of who they collaborate with \u2014 and how \u2014 is becoming increasingly important.<br \/>\nFor this feature, AI Creators invited Stockholm-based Victor Moreno and Tokyo-based aratama \u749e to take part in a written dialogue.\n<\/p><figcaption id=\"caption-attachment-7385\" class=\"wp-caption-video\" style=\"text-align:left;\">*This article is based on a written interview with Victor Moreno and responses from aratama \u749e. Moreno&#8217;s comments have been lightly edited for length and clarity without altering their intended meaning.<\/figcaption><div id=\"ez-toc-container\" class=\"ez-toc-v2_0_75 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-white ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Profiles\" >Profiles<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Victor_Moreno%EF%BD%9CStockholm_Sweden\" >Victor Moreno\uff5cStockholm, Sweden<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#aratama_%E7%92%9E%EF%BD%9CTokyo_Japan\" >aratama \u749e\uff5cTokyo, Japan<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Chapter_1%E3%80%80AI_Has_Opened_the_Door_to_Filmmaking_%E2%80%94_But_Quality_Does_Not_Improve_Automatically\" >Chapter 1\u3000AI Has Opened the Door to Filmmaking \u2014 But Quality Does Not Improve Automatically<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Chapter_2%E3%80%80%E2%80%9CThe_Model_Is_Just_the_Instrument%E2%80%9D_%E2%80%94_What_Makes_Work_Last_Is_Intention_and_Direction\" >Chapter 2\u3000\u201cThe Model Is Just the Instrument\u201d \u2014 What Makes Work Last Is Intention and Direction<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Chapter_3%E3%80%80The_Fundamental_Challenges_That_Still_Remain_in_AI_Filmmaking\" >Chapter 3\u3000The Fundamental Challenges That Still Remain in AI Filmmaking<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Chapter_4%E3%80%80AI_Filmmaking_Quality_Depends_on_Workflow_Not_Just_the_Model\" >Chapter 4\u3000AI Filmmaking Quality Depends on Workflow, Not Just the Model<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Chapter_5%E3%80%80Can_One_AI_Creator_Carry_an_Entire_Production\" >Chapter 5\u3000Can One AI Creator Carry an Entire Production?<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Lunar_Bank_%E2%80%93_%E2%80%9COld_Bankers%E2%80%9D_TV_Commercial_2025\" >Lunar Bank \u2013 \u201cOld Bankers\u201d TV Commercial (2025)<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Chapter_6%E3%80%80Selection_at_AI_Film_Festival_Japan_and_the_Potential_Victor_Sees_in_Japan\" >Chapter 6\u3000Selection at AI Film Festival Japan and the Potential Victor Sees in Japan<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Chapter_7%E3%80%80Beyond_Film_%E2%80%94_Live_Performance_Music_Code_and_Real-Time_Expression\" >Chapter 7\u3000Beyond Film \u2014 Live Performance, Music, Code, and Real-Time Expression<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Chapter_8%E3%80%80A_Future_Where_the_%E2%80%9CAI%E2%80%9D_Prefix_Disappears\" >Chapter 8\u3000A Future Where the \u201cAI\u201d Prefix Disappears<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Victor_Morenos_Next_Steps_%E2%80%94_Commercial_Production_Narrative_Work_and_Artistic_Expression\" >Victor Moreno&#8217;s Next Steps \u2014 Commercial Production, Narrative Work, and Artistic Expression<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Editors_Note%EF%BD%9CBuilding_the_Next_Production_Environment_for_AI_Creativity\" >Editor&#8217;s Note\uff5cBuilding the Next Production Environment for AI Creativity<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/en.ai-creators.tech\/media\/interview\/victor-moreno\/#Turning_AI_Creativity_into_Production_Opportunities\" >Turning AI Creativity into Production Opportunities<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Profiles\"><\/span>Profiles<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Victor_Moreno%EF%BD%9CStockholm_Sweden\"><\/span>Victor Moreno\uff5cStockholm, Sweden<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<figure id=\"attachment_7160\" aria-describedby=\"caption-attachment-7160\" style=\"width: 1280px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" src=\"https:\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/2026\/06\/1781260416039.webp\" alt=\"Victor Moreno\uff5cStockholm, Sweden\" width=\"600\" class=\"size-full wp-image-7160\" srcset=\"https:\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/2026\/06\/1781260416039.webp 1280w, https:\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/2026\/06\/1781260416039-768x469.webp 768w, https:\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/2026\/06\/1781260416039-150x92.webp 150w, https:\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/2026\/06\/1781260416039-450x275.webp 450w, https:\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/2026\/06\/1781260416039-1200x733.webp 1200w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><figcaption id=\"caption-attachment-7160\" class=\"wp-caption-text\">photo credit: Catherine Ward<\/figcaption><\/figure>\n<p>\nVictor Moreno is an AI creator and film director based in Stockholm, Sweden.<br \/>\nWith a background spanning graphic design, art direction, editorial photography, and cultural journalism, he works across AI-driven filmmaking, brand expression, and narrative projects.<br \/>\nHis clients include Telia Sweden, Netflix, Lunar Bank, and Suicide Zero.\n<\/p>\n<p>\nHis short narrative film <em>Hazama (\u72ed\u9593)<\/em> has been selected for AI Film Festival Japan, Cinema Shift Toronto, and AI Media Festival (AIMF) Los Angeles.<br \/>\nIn 2024, he joined Runway&#8217;s Top 50 Talent Network and became a collaborator with generative AI company Luma Labs.\n<\/p>\n<p><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GXvfJErJVw8?si=lS-bWO7fzmx5VAxl\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"linkcardcontainer\"><div class=\"linkcard\"><div class=\"lkc-external-wrap\"><a class=\"lkc-link no_icon\" href=\"https:\/\/en.ai-creators.tech\/creators\/victormoreno\/\" target=\"_blank\" rel=\"external noopener\"><div class=\"lkc-card\"><div class=\"lkc-info\"><div class=\"lkc-favicon\"><img decoding=\"async\" src=\"https:\/\/favicon.hatena.ne.jp\/?url=https%3A%2F%2Fen.ai-creators.tech%2Fcreators%2Fvictormoreno%2F\" alt=\"\" width=\"16\" height=\"16\" \/><\/div><div class=\"lkc-domain\">en.ai-creators.tech<\/div><\/div><div class=\"lkc-content\"><figure class=\"lkc-thumbnail\"><img decoding=\"async\" class=\"lkc-thumbnail-img\" src=\"\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/pz-linkcard\/cache\/c686ec1fd2713a23faf1fa1834edf5786e132840047a255b64b6db594633ce53.jpeg\" width=\"100px\" height=\"100px\" alt=\"\" \/><\/figure><div class=\"lkc-title\">Victor Moreno<\/div><div class=\"lkc-url\" title=\"https:\/\/en.ai-creators.tech\/creators\/victormoreno\/\">https:\/\/en.ai-creators.tech\/creators\/victormoreno\/<\/div><div class=\"lkc-excerpt\">Victor Moreno is an AI Director creating cinematic brand films, corporate films, and narrative works with generative AI and strong visual authorship.<\/div><\/div><div class=\"clear\"><\/div><\/div><\/a><\/div><\/div><\/div>\n<h3><span class=\"ez-toc-section\" id=\"aratama_%E7%92%9E%EF%BD%9CTokyo_Japan\"><\/span>aratama \u749e\uff5cTokyo, Japan<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><img decoding=\"async\" src=\"https:\/\/ai-creators.tech\/media\/wp-content\/uploads\/2026\/06\/0_.webp\" alt=\"aratama \u749e | Tokyo, Japan\" width=\"300\" class=\"aligncenter size-full wp-image-7678\" \/><\/p>\n<p>\naratama \u749e is a Founder \/ AI Creative Architect \/ Artist working across generative AI, moving images, music, live performance, and spatial experience.<br \/>\nHis practice spans character design, virtual humans, music videos, advertising, event visuals, and audiovisual works, integrating concept development, direction, experimental R&amp;D, and production from end to end.\n<\/p>\n<p>\nIn recent years, rather than presenting moving-image works solely as finished pieces, aratama has been exploring ways to connect music, visuals, space, physical presence, and audience experience through an audiovisual practice using AI.<br \/>\nThrough AI Creators, he is also involved in discovering and developing AI creators, supporting production, building connections with companies, and establishing new criteria for evaluating creative work.<br \/>\nRather than treating AI simply as a tool for efficiency, he focuses on designing new forms of expression that move across established creative disciplines.\n<\/p>\n<p><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c6xHRULlkt8?si=dvu1VByUY-iK2VCQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"linkcardcontainer\"><div class=\"linkcard\"><div class=\"lkc-external-wrap\"><a class=\"lkc-link no_icon\" href=\"https:\/\/en.ai-creators.tech\/creators\/aratama\/\" target=\"_blank\" rel=\"external noopener\"><div class=\"lkc-card\"><div class=\"lkc-info\"><div class=\"lkc-favicon\"><img decoding=\"async\" src=\"https:\/\/favicon.hatena.ne.jp\/?url=https%3A%2F%2Fen.ai-creators.tech%2Fcreators%2Faratama%2F\" alt=\"\" width=\"16\" height=\"16\" \/><\/div><div class=\"lkc-domain\">en.ai-creators.tech<\/div><\/div><div class=\"lkc-content\"><figure class=\"lkc-thumbnail\"><img decoding=\"async\" class=\"lkc-thumbnail-img\" src=\"\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/pz-linkcard\/cache\/667edb9b2483a6e833df55ee53fa854a2dfd7502be81c3e4334096576b89ab83.jpeg\" width=\"100px\" height=\"100px\" alt=\"\" \/><\/figure><div class=\"lkc-title\">aratama \u749e<\/div><div class=\"lkc-url\" title=\"https:\/\/en.ai-creators.tech\/creators\/aratama\/\">https:\/\/en.ai-creators.tech\/creators\/aratama\/<\/div><div class=\"lkc-excerpt\">Founder, Producer, Artist. I work on projects, exhibitions, event appearances, and workshops utilizing generative AI and web3 both domestically and internationally.<\/div><\/div><div class=\"clear\"><\/div><\/div><\/a><\/div><\/div><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Chapter_1%E3%80%80AI_Has_Opened_the_Door_to_Filmmaking_%E2%80%94_But_Quality_Does_Not_Improve_Automatically\"><\/span>Chapter 1\u3000AI Has Opened the Door to Filmmaking \u2014 But Quality Does Not Improve Automatically<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nVictor Moreno sees the democratization of filmmaking through AI first and foremost as a practical reality.<br \/>\nMuch like the transition from film to digital, AI reduces many of the major costs once associated with film processing, camera equipment, lighting, transportation, and production crews.<br \/>\nAs the barriers to entry fall, more people gain the opportunity to explore visual storytelling.\n<\/p>\n<p>\nBut that openness can also be a double-edged sword.\n<\/p>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>\n  Generative AI is lowering the barriers to filmmaking.<br \/>\n  The result will be plenty of noise and a lot of mediocre work.<br \/>\n  But some beautiful work will emerge from it as well.\n  <\/p>\n<p>\n  What matters is not simply being technically impressive.<br \/>\n  The work needs to speak to an audience.<br \/>\n  It needs to resonate with the person receiving it.\n  <\/p>\n<p>\n  The Sex Pistols were not musical virtuosos.<br \/>\n  But they had a purpose that connected with the cultural and societal moment.\n  <\/p>\n<p>\n  Working with AI is not the point in itself.<br \/>\n  What matters is how you incorporate those new possibilities into the creative process and the production pipeline.\n  <\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>\n  AI has made it possible for individuals to experiment with forms of visual expression that once required specialist production companies.<br \/>\n  But being able to generate something and being able to create a fully realized work are not the same thing.\n  <\/p>\n<p>As the number of works increases, the weight carried by each individual piece can easily diminish.<br \/>\n  It is no longer enough simply to make something.<br \/>\n  We need to ask why the work exists, how it should be presented, and how it can remain in the audience&#8217;s memory.<br \/>\nAnother major shift is that we can now devote more time to refining the intention and presentation of a work, rather than focusing solely on the labor of production.\n  <\/p>\n<p>\n  In a world where the barriers to entry have fallen, the rarest quality is not the ability to generate content.<br \/>\n  It is the ability to ask the right questions, form a clear intention, think critically, and make decisions.\n  <\/p>\n<\/div>\n<h2><span class=\"ez-toc-section\" id=\"Chapter_2%E3%80%80%E2%80%9CThe_Model_Is_Just_the_Instrument%E2%80%9D_%E2%80%94_What_Makes_Work_Last_Is_Intention_and_Direction\"><\/span>Chapter 2\u3000\u201cThe Model Is Just the Instrument\u201d \u2014 What Makes Work Last Is Intention and Direction<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nGenerative AI tools are evolving rapidly.<br \/>\nBut as models become more capable, the ability to use a particular tool becomes less meaningful as a point of differentiation.\n<\/p>\n<p>\nThe question is what a creator can draw out of the model and how those elements are shaped into an experience.<br \/>\nThis is where an individual&#8217;s accumulated skill and experience come into play.\n<\/p>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>\n  Creative direction, taste, and intention are everything.<br \/>\n  The model is just the instrument.<br \/>\n  Working with AI is about taming the beast.<br \/>\n  Owning it, bending it toward a vision.\n  <\/p>\n<p>\n  Lately, I&#8217;ve been drawn to the word \u201csampler\u201d as a way of describing how generative AI works, and I think it is accurate.<br \/>\n  Some of my early work was built using Flux Redux, which is exactly that: taking elements, sampling them, shaping and modulating them until the result reflects what you are actually after.\n  <\/p>\n<p>\n  That craft is no different from what musicians, directors, and artists have always done.<br \/>\n  A lot of the most iconic work in pop culture was built on sampling.<br \/>\n  The raw material was borrowed, but the vision behind it was entirely original.\n  <\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>\n  When people discuss AI-generated work, the model or the generation technique often comes first.<br \/>\n  But using the same model does not produce the same work.\n  <\/p>\n<p>\n  What matters is not simply receiving an output, but deciding what to keep, what to discard, how to sequence it, and how to transform it into an experience.<br \/>\n  The value of an AI creator lies not in the number of generations they produce, but in the quality of their decisions.\n  <\/p>\n<p>\n  Victor&#8217;s metaphor of the instrument captures this perfectly.\n  <\/p>\n<\/div>\n<h2><span class=\"ez-toc-section\" id=\"Chapter_3%E3%80%80The_Fundamental_Challenges_That_Still_Remain_in_AI_Filmmaking\"><\/span>Chapter 3\u3000The Fundamental Challenges That Still Remain in AI Filmmaking<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nAI filmmaking has advanced dramatically within a short period of time.<br \/>\nAt the same time, essential challenges remain: consistency between shots, control over longer sequences, character continuity, natural emotional expression, and narrative structure.\n<\/p>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>\n  Since day one of working with AI, consistency and continuity across shots, and control over longer sequences, have been the main challenges.<br \/>\n  We are in the middle of 2026, and I have only just started working with character emotional depth, which is getting better and better as well.<br \/>\n  Progress is extremely fast.\n  <\/p>\n<p>\n  What is a limitation today becomes a solution tomorrow.<br \/>\n  That is one of the great things about working with AI.\n  <\/p>\n<p>\nWhen you know what you are after, you explore the possibilities and execute.<br \/>\n<em>Star Wars<\/em> used matte paintings \u2014 hand-painted on plexiglass.<br \/>\nWorking with AI is no different.\n<\/p>\n<p>\nIf you want to maximize the outcome, I do not think you can rely on text-to-video alone.<br \/>\nYou want to incorporate motion capture, LoRA training, video-to-video \u2014 whatever gets you closer to the vision.\n<\/p>\n<p>\nAnd still, I have seen beautiful accidents come from a single generation.<br \/>\nBut you need to lift the raw material: audio sync, SFX, music, editing pace, grading \u2014 something that elevates it into a work that actually lands with an audience.\n<\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>\n  In AI filmmaking, individual shots can be striking while the work as a whole feels weaker once those shots are placed in sequence.<br \/>\n  Moving images are not simply a collection of stills.<br \/>\n  They are an experience shaped by music, rhythm, pauses, speed, structure, and changes in space.\n  <\/p>\n<p>\n  Improvements in model performance matter, but ultimately the question is how the entire work is designed.\n  <\/p>\n<p>\n  How do we place the beauty of an accidental frame, or movement that cannot be fully controlled, within the structure of an experience?<br \/>\n  That is where the essence of editing lies.\n  <\/p>\n<\/div>\n<h2><span class=\"ez-toc-section\" id=\"Chapter_4%E3%80%80AI_Filmmaking_Quality_Depends_on_Workflow_Not_Just_the_Model\"><\/span>Chapter 4\u3000AI Filmmaking Quality Depends on Workflow, Not Just the Model<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nBuilding longer, more polished sequences requires the design of an entire production process, not simply the accumulation of individual generations.<br \/>\nReference images, storyboards, shot breakdowns, compositing, editing, sound, and color grading.<br \/>\nThe accumulation of decisions made around the model shapes the final viewing experience.\n<\/p>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>\n  For me, it comes down to reference design and editing pace.<br \/>\n  Those are the anchors.\n  <\/p>\n<p>\n  There is an unspoken nature to what the brain identifies in a blink.<br \/>\n  Your job as a storyteller is not to alienate your audience with invisible elements that make them drift \u2014 to start thinking about what time it is, or what they need to do tomorrow.<br \/>\n  Once that happens, they have already left the work.\n  <\/p>\n<p>\n  Consistency, rhythm, dialogue, sound, grading.<br \/>\n  Those are your allies in delivering a well-packaged story.\n  <\/p>\n<p>\n  The real craft is knowing what you do not need to put in the frame.<br \/>\n  Letting the audience build that part on their own.<br \/>\n  That is where the magic happens.\n  <\/p>\n<p>\nDo I think the quality of AI filmmaking will increasingly depend on the production workflow around the model rather than the model alone?<br \/>\nAbsolutely.\n<\/p>\n<p>\nThat said, I can also foresee genres or subgenres emerging where the raw model output becomes the aesthetic itself.<br \/>\nAlmost like lo-fi became a genre rather than a limitation.\n<\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>\n  AI rapidly increases the number of elements we are able to add.<br \/>\n  But making a work stronger requires not only addition, but bold subtraction.\n  <\/p>\n<p>\n  What should remain unseen?<br \/>\n  At what point should the image stop?<br \/>\n  How much explanation should remain?\n  <\/p>\n<p>\n  The more possibilities AI creates, the greater the weight placed on the judgment of directors and editors.<br \/>\n  Victor&#8217;s observation about knowing what not to put in the frame becomes even more important in an era of abundant tools.\n  <\/p>\n<\/div>\n<h2><span class=\"ez-toc-section\" id=\"Chapter_5%E3%80%80Can_One_AI_Creator_Carry_an_Entire_Production\"><\/span>Chapter 5\u3000Can One AI Creator Carry an Entire Production?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nAI creators can now work across a much wider range of processes than before.<br \/>\nPlanning, concept development, visual direction, prompt design, compositing, editing, sound, narrative structure, workflow design, and distribution.<br \/>\nThe scope of what a single creator can manage has undeniably expanded.\n<\/p>\n<p>\nBut that does not mean every creator should be expected to complete everything alone.\n<\/p>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>AI creators can now take on many different disciplines.<br \/>\nBut to raise the quality of the work further, I believe we need specialist teams that understand AI.<br \/>\nVictor, how do you see the role of the AI creator?\n<\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>I see an AI creator as a director, like an orchestrator.<br \/>\nAI can help you push things 50, 60, even 70 percent of the way.<br \/>\nBut that final stretch is the longest and most demanding.\n<\/p>\n<p>\nHaving the support of a specialized editor, sound engineer, or colorist makes a measurable difference.<br \/>\nTwo years of working full-time with AI have shown me that.<br \/>\nEven in the early stages, I have been incredibly grateful to have a team around me: technical support for workflow troubleshooting, AI artists handling image retouching, copywriters, editors, and all the post-production craft that elevates the work.\n<\/p>\n<p>\nWhat I find striking in 2026 is that large corporations still have not moved to build these teams in-house.<br \/>\nThere is a widespread misreading of what AI filmmaking actually is \u2014 the assumption that anyone can do it.<br \/>\nWhen in-house attempts fall short, people blame the technology rather than the lack of craft and structure around it.\n<\/p>\n<p>\nThe US is probably ahead.<br \/>\nI have seen some rare opportunities in the UK as well, but they still lean heavily on engineering and technical skills: Python, workflow builders.\n<\/p>\n<p>\nThat makes sense when you are trying to create something scalable and sustainable.<br \/>\nBut the expertise required to execute work as moving-image expression is just as important.\n<\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>AI creators sometimes carry a wider range of responsibilities than creators in more established production fields.<br \/>\nThey can handle planning, direction, generation, editing, sound, implementation, and distribution alone.<br \/>\nBut that breadth can also become a limitation.<br \/>\nTalented AI creators are often occupied with existing commissions and have too little time to develop their most ambitious work.\n<\/p>\n<p>\nThe important question is not simply who is talented.<br \/>\nWhat are that creator&#8217;s strengths?<br \/>\nWhat kind of support would allow the work to reach the next level?<br \/>\nWhat specialists, technologies, funding, time, and production environment are required?<br \/>\nThe answer will differ from creator to creator.\n<\/p>\n<p>\nIn some cases, collaboration between AI creators may be the right answer.<br \/>\nIn others, the work may require connections with established specialists: producers, screenwriters, editors, sound designers, colorists, engineers, animation specialists, 3DCG designers, marketers, and industry advisors.\n<\/p>\n<p>\nTruly powerful AI-native work emerges when an individual vision is supported by the right collaborators, production resources, time, and funding.<br \/>\nFor AI Creators, the challenge is not simply to showcase talented creators, but to consider how their abilities can be developed, how the right teams can be assembled, and how the work can be elevated to the next level.\n<\/p>\n<\/div>\n<h3><span class=\"ez-toc-section\" id=\"Lunar_Bank_%E2%80%93_%E2%80%9COld_Bankers%E2%80%9D_TV_Commercial_2025\"><\/span>Lunar Bank \u2013 \u201cOld Bankers\u201d TV Commercial (2025)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bDFoWl0bjHc?si=3K2RGpv7jKVSTYh0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>Client: Lunar Bank<br \/>\nProduction company: UNCUT<br \/>\nExecutive Producer: Fredrik Skoglund<br \/>\nAD: Tor S\u00f6derholm and Victor Moreno<br \/>\nCopywriter: Erik Bergqvist<br \/>\nAI team: Ib Thorub, Lars Bjurman, Victor Moreno, Simon Appel<br \/>\nEditor: Karim Fakih<br \/>\nColorist: Filip Bergh<\/p>\n<p><!-- ===================== Chapter 6 ===================== --><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Chapter_6%E3%80%80Selection_at_AI_Film_Festival_Japan_and_the_Potential_Victor_Sees_in_Japan\"><\/span>Chapter 6\u3000Selection at AI Film Festival Japan and the Potential Victor Sees in Japan<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RNkXXtT5Vvk?si=w1OL477tUOTM3W83\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>\nVictor Moreno&#8217;s narrative film <em>Hazama (\u72ed\u9593)<\/em> was selected for AI Film Festival Japan.<br \/>\nAlthough he was unable to attend the screening at Tokyo Innovation Base, he describes learning that Nippon Television had attended the event and broadcast footage from the film on NTV News as an especially meaningful moment.\n<\/p>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>I genuinely regret not being able to attend the screening at Tokyo Innovation Base.<br \/>\nBut learning that Nippon Television visited the venue and broadcast footage from my short film <em>Hazama (\u72ed\u9593)<\/em> on NTV News was incredibly rewarding.\n<\/p>\n<p>\nJapan means a great deal to me.<br \/>\nThat recognition felt like a real gift.\n<\/p>\n<p>\nI believe in the domino effect.<br \/>\nOne thing leads to another.<br \/>\nAnd here we are, having this conversation.\n<\/p>\n<p>\nI have been lucky to visit Japan three times, both for work and for personal reasons.<br \/>\nEvery time I am there, I have the same feeling: that I am traveling into the future.<br \/>\nI hope that never changes.\n<\/p>\n<p>\nWhat strikes me most as an outsider is the coexistence of two things that rarely live together so naturally.<br \/>\nA deep sense of inner peace rooted in something ancient, and an equally strong pull toward the new, the innovative, and the unexpected.<br \/>\nThat duality is rare.\n<\/p>\n<p>\nIn terms of opportunity, I see real potential in helping organizations visualize concepts with AI.<br \/>\nPrecise, meticulous work that reflects how Japanese creators and companies actually think about their products.\n<\/p>\n<p>\nWhether that means streamlining production pipelines in film, games, design, architecture, digital art, fashion, and animation studios, or developing creative concepts from the ground up, I think the combination of that cultural precision with an offbeat creative approach is where something genuinely interesting can happen.<br \/>\nI am looking forward to building more connections in Japan.\n<\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>Japan has a cultural foundation that not only preserves the past, but also allows sensibilities from different eras to overlap.<br \/>\nIf AI is connected not simply to efficiency, but to Japan&#8217;s distinctive aesthetics, narratives, sound, space, and physicality, forms of expression may emerge that differ from those developed elsewhere.<\/p>\n<p>The title <em>Hazama (\u72ed\u9593)<\/em> itself seems to resonate with the Japanese sensibility toward margins, thresholds, and the space between things.<br \/>\nPerhaps there is a quiet connection in making that in-between space the subject of the work.<\/p>\n<p>From what I have seen, corporate use cases in Japan have tended to prioritize cost efficiency and shorter delivery times.<br \/>\nMeanwhile, longer-term experimentation in artistic expression and content development is often carried out by independent creators using their own resources or participating in creative partner programs offered by AI tool providers.<\/p>\n<p>AI competitions are also increasing in number.<br \/>\nBut in some cases, there is still room to improve entry fees, judging criteria, and systems for sustained development.<br \/>\nWe need structures that reduce the burden on individual creators and connect experimentation to future production opportunities.<\/p>\n<\/div>\n<p><!-- ===================== Chapter 7 ===================== --><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Chapter_7%E3%80%80Beyond_Film_%E2%80%94_Live_Performance_Music_Code_and_Real-Time_Expression\"><\/span>Chapter 7\u3000Beyond Film \u2014 Live Performance, Music, Code, and Real-Time Expression<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nRecognition for AI-generated moving-image work currently tends to focus on cinematic short films.<br \/>\nBut film production is not the only field being expanded by AI.\n<\/p>\n<p>\nLive performance, visuals synchronized with music, advertising, animation, interactive media, programming-based visuals, generative art, and spatial experience design.<br \/>\nNew forms are beginning to emerge that cannot be fully understood through the language of conventional filmmaking alone.\n<\/p>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>The potential is absolutely there.<br \/>\nMy entry into AI through ComfyUI actually came from TouchDesigner.\n<\/p>\n<p>\nTouchDesigner is a node-based visual programming environment for building interactive 2D and 3D applications, real-time multimedia content, and generative art.<br \/>\nThe possibilities of integrating AI into structures, textures, and living systems are enormous.<br \/>\nEven in 2026, I think we are using only a small fraction of what is actually there.\n<\/p>\n<p>\nI have been building my own style workflows.<br \/>\nBy adapting them to the needs of a brief, I can create work that feels more characterful, more on-brand, and more distinctive.\n<\/p>\n<p>\nI am an old-school guy who loves The Designers Republic, Tomato, Ryuichi Sakamoto, Bill Viola, Refik Anadol, Ryoji Ikeda, and many more.\n<\/p>\n<p>\nGoing forward, I want to experiment with integrating TouchDesigner into ComfyUI.<br \/>\nI think it has artistic and abstract potential beyond a purely commercial remit.\n<\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>At present, recognition for AI-generated moving-image work still tends to favor cinematic short films.<br \/>\nMany participants also appear to be entering the field through competitions, commissioned work, and the pursuit of social-media reach.<\/p>\n<p>But film production is not the only field being transformed by AI.<br \/>\nVisuals synchronized with music, real-time generation, live staging, audience interaction, and the design of spatial experiences are beginning to produce forms of expression that cannot be measured solely within the conventional category of moving-image work.<br \/>\nThe broader value of multidisciplinary and experimental approaches is only beginning to emerge.<\/p>\n<p>Drawing on my earlier background in music, I have been exploring AI audiovisual practice not simply as the screening of a finished video, but as the creation of a resonant space in which music, moving images, the venue, and audience response interact.<br \/>\nKeeping up with emerging technologies and conducting multifaceted experiments will likely remain a long-term process, but I continue to explore whether something genuinely new can emerge from it.<br \/>\nThrough AI Creators, I also want to look beyond film and moving images alone, and engage with the broader range of creative expression being expanded by AI.<\/p>\n<\/div>\n<p><!-- ===================== Chapter 8 ===================== --><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Chapter_8%E3%80%80A_Future_Where_the_%E2%80%9CAI%E2%80%9D_Prefix_Disappears\"><\/span>Chapter 8\u3000A Future Where the \u201cAI\u201d Prefix Disappears<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nLooking three to five years ahead, Victor Moreno envisions a future in which the \u201cAI\u201d prefix gradually fades away.\n<\/p>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>I hope \u2014 and want to believe \u2014 that the AI prefix will eventually vanish, absorbed into the backbone of creative pipelines the way other milestones were before it.\n<\/p>\n<p>\nAI has blurred the lines between creativity and production.<br \/>\nYou do not get a fully polished result from the start, but you can now execute as you create.<br \/>\nDecisions also have to be made faster.\n<\/p>\n<p>\nConcept development and prototyping become faster and cheaper.<br \/>\nBrands and clients can visualize where their money is going for a fraction of the investment.<br \/>\nI see AI as a restructuring of how things are made, rather than a disruption.\n<\/p>\n<p>\nTo build a healthy environment, teams need to become more flexible and project-specific.<br \/>\nSometimes a creator is the producer, and no production team is needed.<br \/>\nOther times, you need a full structure, with producers and post-producers.\n<\/p>\n<p>\nMany brands are pouring money into data specialists.<br \/>\nThat makes sense.<br \/>\nBut I genuinely hope they come to see the same value in an in-house creative foundation built around AI specialists \u2014 people who can drive product prototyping, design, content production, marketing, and storytelling.\n<\/p>\n<p>\nAnd I hope audiences continue to accept AI not as some alien force taking control, but as just another tool \u2014 like the typewriter, the camera, the lens, or the pencil.\n<\/p>\n<\/div>\n<div class=\"box3\">\n<p><strong>aratama \u749e<\/strong><\/p>\n<p>I do not think the era in which using AI is valuable in itself will last forever.<br \/>\nWhat will matter is not which tools were used, but what sensations were created, what people and disciplines were connected, and what remains after the work is experienced.<\/p>\n<p>For AI-native expression to develop, producing works is not enough.<br \/>\nWe need to evaluate them, give them context, bring them to the right audiences, and create an environment in which talented creators can continue to work sustainably.<\/p>\n<p>Rather than simply increasing the volume of content, we need systems that discover, present, develop, and connect outstanding creators and works to future production opportunities.<br \/>\nWe also need mentors who understand AI-native practice and can offer meaningful evaluation.<br \/>\nOnly then will works emerge that audiences remember, discuss, and recognize as the beginning of a new form of expression.<\/p>\n<p>By the time today&#8217;s children come of age, legal frameworks and social norms may be more firmly established.<br \/>\nAI creativity may no longer be treated as a special category, but as an ordinary part of the creative environment.<\/p>\n<\/div>\n<p><!-- ===================== Victor Moreno's Next Steps ===================== --><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Victor_Morenos_Next_Steps_%E2%80%94_Commercial_Production_Narrative_Work_and_Artistic_Expression\"><\/span>Victor Moreno&#8217;s Next Steps \u2014 Commercial Production, Narrative Work, and Artistic Expression<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nVictor Moreno identifies three areas that he wants to continue developing.\n<\/p>\n<ul>\n<li>Commercial production<\/li>\n<li>Narrative work<\/li>\n<li>Artistic expression<\/li>\n<\/ul>\n<div class=\"box3\">\n<p><strong>Victor Moreno<\/strong><\/p>\n<p>I am excited to take on more commercial work, turning briefs into finished products.<\/p>\n<p>At the same time, I have already started working on my next short film.<br \/>\nThe international festival recognition for <em>Hazama (\u72ed\u9593)<\/em> is genuinely encouraging, and I hope it helps open doors to funding as well.<\/p>\n<p>And ultimately, I want to explore the artistic side more freely.<br \/>\nVideo art, and visual work synchronized with music and sound.<br \/>\nI believe there is enormous potential beyond the boundaries of commercial requirements.<\/p>\n<\/div>\n<p><!-- ===================== Editor's Note ===================== --><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Editors_Note%EF%BD%9CBuilding_the_Next_Production_Environment_for_AI_Creativity\"><\/span>Editor&#8217;s Note\uff5cBuilding the Next Production Environment for AI Creativity<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>\nThe value of AI creativity cannot be measured solely by cinematic polish.<br \/>\nAI is expanding creative expression across planning, screenwriting, moving images, music, live performance, illustration, programming, advertising, character development, interactive media, spatial design, and many other fields.\n<\/p>\n<p>\nAt the same time, raising the quality of the work requires more than asking one AI creator to carry every responsibility alone.<br \/>\nWe need to connect individual strengths with specialists, evaluators, technology, funding, time, and opportunities for presentation.\n<\/p>\n<p>\nAI Creators aims not simply to introduce people who can use AI tools, but to discover creators and works that open up new forms of expression, and to build an international community in which that talent can continue to develop.<br \/>\nWe also want to look beyond cinematic AI filmmaking alone, engaging with emerging formats across live visuals, music, art, code, the Web, illustration, advertising, IP, planning, screenwriting, collaboration, content development, and experimental practice.\n<\/p>\n<p>\nModels will continue to improve.<br \/>\nBut for a work to stay with an audience, it needs intention, judgment, context, and experience.\n<\/p>\n<p>\nWhat lies beyond AI film is not merely technological progress.<br \/>\nIt may be the beginning of a new culture \u2014 one that redesigns the creative process, the structure of teams, the criteria by which work is evaluated, and the relationship between creators and audiences.\n<\/p>\n<p><!-- ===================== CTA ===================== --><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Turning_AI_Creativity_into_Production_Opportunities\"><\/span>Turning AI Creativity into Production Opportunities<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>AI Creators supports the development, promotion, and production of creators pioneering new forms of expression through AI.<br \/>\nWe are also building collaborations with companies and organizations exploring AI-driven planning and content production.<\/p>\n<p>Whether you want to learn new forms of expression and refine your work, or develop a project in collaboration with AI creators, explore the pathway that best matches your goals.<\/p>\n<div class=\"linkcardcontainer\"><div class=\"linkcard\"><div class=\"lkc-external-wrap\"><a class=\"lkc-link no_icon\" href=\"https:\/\/en.ai-creators.tech\/personal\/\" target=\"_blank\" rel=\"external noopener\"><div class=\"lkc-card\"><div class=\"lkc-info\"><div class=\"lkc-favicon\"><img decoding=\"async\" src=\"https:\/\/favicon.hatena.ne.jp\/?url=https%3A%2F%2Fen.ai-creators.tech%2Fpersonal%2F\" alt=\"\" width=\"16\" height=\"16\" \/><\/div><div class=\"lkc-domain\">en.ai-creators.tech<\/div><\/div><div class=\"lkc-content\"><figure class=\"lkc-thumbnail\"><img decoding=\"async\" class=\"lkc-thumbnail-img\" src=\"\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/pz-linkcard\/cache\/9cdbcb6ad44a1615e4dd088961c151217d3cd3c48ca349ea0a7bf34f27f3a6b6.jpeg\" width=\"100px\" height=\"100px\" alt=\"\" \/><\/figure><div class=\"lkc-title\">AI Creators for Personal \u2013 Empowering Freelancers and Independent Creators<\/div><div class=\"lkc-url\" title=\"https:\/\/en.ai-creators.tech\/personal\/\">https:\/\/en.ai-creators.tech\/personal\/<\/div><div class=\"lkc-excerpt\">AI Creators is a platform where you can commission highly specialized directors and professional AI talent with expertise in generative AI.<\/div><\/div><div class=\"clear\"><\/div><\/div><\/a><\/div><\/div><div class=\"linkcard\"><div class=\"lkc-external-wrap\"><a class=\"lkc-link no_icon\" href=\"https:\/\/en.ai-creators.tech\/enterprise\/\" target=\"_blank\" rel=\"external noopener\"><div class=\"lkc-card\"><div class=\"lkc-info\"><div class=\"lkc-favicon\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/favicon.hatena.ne.jp\/?url=https%3A%2F%2Fen.ai-creators.tech%2Fenterprise%2F\" alt=\"\" width=\"16\" height=\"16\" \/><\/div><div class=\"lkc-domain\">en.ai-creators.tech<\/div><\/div><div class=\"lkc-content\"><figure class=\"lkc-thumbnail\"><img decoding=\"async\" class=\"lkc-thumbnail-img\" src=\"\/\/en.ai-creators.tech\/media\/wp-content\/uploads\/pz-linkcard\/cache\/c1bf10f2136c1948fe2648392e150de75148c9bd3810c31352a9294d324ab868.jpeg\" width=\"100px\" height=\"100px\" alt=\"\" \/><\/figure><div class=\"lkc-title\">AI Creators for Business \u2013 Connecting AI, Creativity and Innovation Across In...<\/div><div class=\"lkc-url\" title=\"https:\/\/en.ai-creators.tech\/enterprise\/\">https:\/\/en.ai-creators.tech\/enterprise\/<\/div><div class=\"lkc-excerpt\">AI Creators is a platform where you can commission highly specialized directors and professional AI talent with expertise in generative AI.<\/div><\/div><div class=\"clear\"><\/div><\/div><\/a><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Generative AI is rapidly lowering the barriers to entry in filmmaking. Visual work that once required substantial budgets, camera equipment, and specialized production teams can now be explored by individual creators within a much shorter timeframe. Yet being able to generate eye-catching footage is not the same as creating work that stays with an audience.<\/p>\n","protected":false},"author":2,"featured_media":7150,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[549],"tags":[],"class_list":["post-7148","post","type-post","status-publish","format-standard","has-post-thumbnail","category-interview"],"acf":[],"aioseo_notices":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/posts\/7148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/comments?post=7148"}],"version-history":[{"count":5,"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/posts\/7148\/revisions"}],"predecessor-version":[{"id":7162,"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/posts\/7148\/revisions\/7162"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/media\/7150"}],"wp:attachment":[{"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/media?parent=7148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/categories?post=7148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/en.ai-creators.tech\/media\/wp-json\/wp\/v2\/tags?post=7148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}